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I’ve started to tidy and compiled my past website builds as some of them were really fun 🙂 And as they were all hand coded in an era of tiny data storage and bandwidth they are remarkably suited to the hand held era.





I am though experiencing a lot of inflammation in my hands which is not surprising but it means I need to take breaks and meds that feel like overkill. It’s just my hands, it’s a small area of the body. But they are used for everything I do so it is worth resting more than less.





I forgot that I also have my turquise sequin fabrics for more Elsa costumes- I think I’d like to keep one as an homage to Queen Maude.





But the second dress and extra length I think could be the basic of the travel coat- layers of net over the top gradient dyed. So suddenly it’s starting to feel like an actual plan and one that won’t dip into my funds.





I do still have the super long cape I really should pass on, it’s just a matter of photographing it properly.





I am also struggling a little financially, with a number of costs coming up and some new weekly costs that I haven’t planned for.





So I am very glad that I have enough stash to keep me going, even if I still have to slow down on using it all in one go given my hands.





But that financial restriction might just mean I stay close to home for at least the first half of the year which actually helps a lot in making the decision to make All The Elsa Stuff.





The Mantua: it’s cut, the stays are cut and have boning already. The skirt seams are all done. And it’s a single layer (aside from body) so it’s really light.









This Queen Maude (of Norway…) gown. I would love to know what colour it is originally, but she had a golden sequin gown and a pale blue gown













The Mando might take a while. I’m not sure I want to have two sets of armour but I also don’t want to convert my Shae Vizla over. I worked very hard on that.





For the rest I have the opalescent sequined fabric, the turqouise, the silk chiffon with 2mm sequins… so a fair bit to play with 🙂

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I have started my new cape so I thought  I’d quickly set out the measurements of dye needed.


 


For a 2.5m long cape:


Do this in two batches, do not be tempted to do it all in one go unless you have an industrial sized pot and oven!


 


5m of 150cm tulle/net


1 dye pack of iDye poly blue


2x Color enhancer (unless you have access to the colour enhancer sold separately (I wish I did!)


 


Stovetop


Stock pot


tongs


whisk


measuring jar (and two smaller identical containers)


bucket (2x if you want to save the dye)


 


Latex gloves


 


Additional: horsehair braid for hem will also tint to match.


 


Pre-wash the net to remove any shop dust or sizing that may be on the fabric. I often use a liquid dish soap for this. It creates a lot of foam but it really strips any oils off. Dry fabric.


 


Divide the length of fabric into two 2.5m lengths.


Dissolve the dye in a glass measuring jug use about 2 cups. Whisk the dye through to totally dissolve the now gummy pack.


Heat water in a very large stock pot. I am not sure what mine is but I fill it to 2/3 then top with boiling water to a level the dry tulle comfortably fits in. When wet it will collapse and so be able to stir evenly.


Once the water is simmering add half the dye. I had no markings on my jug so I first divided it equally between two glasses that had obvious markings to use as a guide.


Then tear the colour enhancer pack perfectly across and use every last drop.


Let water come to near boil.


Quickly use the tongs to transfer the tulle to the pot, short lengths at a time, push the newer fabric so that the earlier fabric moves along and creates a circular spin in the water, continue to add the fabric until all is in the pot. Using the fabric dry will not cool down the water and so will actually help get a very vibrant colour.


Boil and stir for 5m.


Transfer to bucket and take the fabric out of the bucket on a lawn. This saves the dye and also cools the fabric and dye down to stop the dyeing process.


If you do not have an out door area, then put a plug in to a stainless steel tub and rince dyed tulle under cold water. This too will stop the dyeing process.


Repeat for the other side.


 


The fabric will be very dark. It will seem to dark. But tulle and some nets are made from totally clear monofilament. What this means that as it dries it will allow light through but also bounce white light back from the glossy surface. This will eventually turn the net royal blue.


This dark  tone in turn also makes the net even more translucent against your dress and the floor. It will then create very distinct lines of colour when pleated into crisp angles.



Note how the cape is quite dark while the snowflake designs are paler and very light reflective.


 


 


If you are nervous then it is possible to use half the dye pack for both lengths but still 2x colour enhancers. It will create a blue that is more what people expect her cape to be. In very close up details the cape fabric is indeed quite dark. The aforementioned physical properties of clear monofilament

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