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While I edit and standardise some files I thought I’d also share some of why I decided on a mantua over a francaise: The Blue second Managers gown from Phantom of the Opera.





The 1870s had a heady mix of 18th century inspiration. Right across the Baroque to Rococo.





So there are times where self fabric or matched colour trimmings mimic or reference the latter part of the century, so too are there times the mantua is a clear inspiration.





This is especially true for the late 1870s as the waist dropped a little, and the bodice hem dropped further. The entire style was narrow, with a focus on the tablier (front of skirt panel) and a looped back train.





It’s possible to consider pannier style drapery as the extension of the front of the mantua robe, and the water fall as the back of the robe. The apron drapery can even be brought in separately though usually these seem to be of a different material.





I am quite enjoying the fact that my mantua can be used to illustrate the similarities and differences in cut and fit and in construction as I used my library of patterns for both my own Blue dress and Mantua.

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I’m separating each inspiration source, so here is the Welsh Museum garment with a bit more information.









COLLECTION AREA Social & Cultural History
ITEM NUMBER 23.189.1
MATERIAL damask (silk) metal thread silver parchment flax (spun and twisted) silk (spun and twisted)

https://museum.wales/collections/online/object/e2ce99c3-462b-3da3-af0a-953e4f94008d/Dress/footer/




I don’t know if it’s possible to convey how much I love this gown.





A few people have managed to take photos when it has been exhibited and it does exactly as expected- the colour shifts to a more aqua tone.









British circa 1730 Teal Spitalfields Silk Court Mantua possibly belonged to Lady Rachel Morgan nee Cavendish daughter of the Duke of Devonshire. St Fagans National Museum of Wales

ttps://twitter.com/ladycecilynevil/status/1251855616487849985




For a pattern and a lot more information:





Arnold, Janet, A court mantua of c. 1740,Costume, London,#6, 1972, pp 48 – 52.

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I’m still working through my files, so here is another of my favourite Mantua. A deep blue silk covered in silver embroidery.









Right now I don’t have access to the printed materials so I’m mostly inspired by the over all effect, and as my lace has a very uneven but scalloped hem I’m using this to help with what to do with it. I wish I had noticed the hem protection earlier as I am going to want that, and I can do that by machine. If the machine work is over in my lace I’m going to reserve my hand sewing for where it will have impact.

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