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So I had to back up my assertion that Willemyne is a name found pre-1600. And to that end I had to get a bit creative in finding very clear absolute examples.


So my lovely herald sent this piece of lovely info with my name submission:


https://www.openarch.nl/show.php?archive=elo&identifier=8d50fe87-13b7-76c7-11c6-70ed31b517ac



See that on the right? Yeah baby, a scanned register! The link to the source site is in that little square with the orange coloured logo. We’ll get back to that.


The Open Arch site sadly doesn’t let you search by first name. So I went through some of my other resources, found the full name and searched. Some came up with the same spelling, some came up with a different (I suspect due to different source material.) So I got a bit stuck. None came up with a scanned document.


Back to that little logo. Those Leiden archives are able to be searched by first name! So I managed to pick up four (four!!!!) instances of Willemyne in writing pre-1600. I’d love to be able to go through other archives as easily but most do not have this scanned function.




1) NH Ondertrouw D. maart 1597 – mei 1602., archiefnummer 1004, Nederlands Hervormd Ondertrouw (1575-1795), inventarisnummer 4, blad D – 010v


2) NH Ondertrouw B. april 1586 – november 1591., archiefnummer 1004, Nederlands Hervormd Ondertrouw (1575-1795), inventarisnummer 2, blad B – 040v



3) NH Ondertrouw B. april 1586 – november 1591., archiefnummer 1004, Nederlands Hervormd Ondertrouw (1575-1795), inventarisnummer 2, blad B – 157v


4) NH Ondertrouw A. 1575 – maart 1586., archiefnummer 1004, Nederlands Hervormd Ondertrouw (1575-1795), inventarisnummer1, blad A – 144v


I mean how cool is that?? The name only appears as witnesses in this region, so it may just be the records don’t go back far enough or the very older ones haven’t yet been scanned.


 



This I found in September and I cannot work out where. So this name is common enough to be able to find in hand written examples!


 


So then I sort of cheated and just searched for “willemyne” archief which usually brings up a source in an archive so I can then look further in that source.


 


So I got to www.gahetna.nl (which is a website of the National Archives of The Netherlands in cooperation with the Society for the National Archives and Spaarnestad Photo.) I can’t really justify paying for a scan of the pages this name appears in but as there are scans I trust the transcription.



Reg. no. 270


270 1541 juli 30.


Het Hof van Holland oorkondt, dat Daniel Suys met als gemachtigde zijn zwager mr. Lievin Anthonis Blocxz, voogd over zijn echtgenote Willemyne van Adrichem en over haar zuster Cornelia van Adrichem, als gedaagde veroordeeld is in weerwil van het recht van aesdom tot inventarisering en scheiding van de nagelaten goederen van zijn zuster Aechte Suys te Wyck up Zee ten behoeve van Adriane Hermansdochter, weduwe van Pieter van Adrichum, en hun dochter Claerken van Adrichum, met als voogd Willem van Dam, secretaris.


Oorspr. (Inv. no. 984) met het geschonden zegel in rode was van het Hof van Holland.


And then in Het Rijksarchief in België 


Raad van Brabant. Processen van de adel 1ste reeks.


DUT: Inventaris van het archief van de Raad van Brabant. Processen van de adel. 1511-1650








  • Processen van de Adel



    • III. Dossiers zonder merkbaar verband



      • 478Willemyne Colegheensen c. François van Zande (van de Zande). Nalatenschap van een leengoed. Proces voor het Leenhof van Bergen-op-Zoom. 1555.1 omslag








Aanvraaginstructie [ archiefdienst – inventaris – archiefbestanddeel ]:

Rijksarchief te Anderlecht / Archives de l’Etat à Anderlecht – I 62 – 478


Vorige (nr 62) | Volgende (nr 61)


andFamiliearchief. Algemeen


Inventaris van de verzameling Familiearchief / M. Nuyttens.








  • Inventaris van de verzameling Familiearchief



    • 4Akte verleden voor schepenen van het Brugse Vrije, waarbij Pieter Waghe en zijn vrouw Willemyne Bylkin, poorters van Brugge, aan Maria Hancheman, weduwe van Gheeraert Van Volden, poorteres van Brugge, de helft van een partij grond verkopen, gelegen in het ambacht en de parochie Oostkerke in de watering van Romboutswerve, 1586.1 katern






Archiefvormers



Aanvraaginstructie [ archiefdienst – inventaris – archiefbestanddeel ]:

Rijksarchief te Brugge – INV 50 – 4


Vorige (nr 3) | Volgende (nr 5)



And i found this a few months back and forgot how- but I think just brute searching “willemyne” archeif.


https://dspace.library.uu.nl/bitstream/1874/215503/1/THKB_1997-02_4.pdf


(willemyne 6)

https://www.archieven.nl/nl/zoeken?miadt=236&mizig=210&miview=inv2&milang=nl&micols=1&mires=0&micode=356&mizk_alle=willemyne

Datering:

1497 October 9

NB:

Bedoeld is vrouwe Willemyne, erfdochter van Naaldwijk, Capelle en Wateringen, gehuwd met Jan, burggraaf van Montfoort.

Organisatie: Noord-Hollands Archief




(This spelling is the same across several documents but the surname is not. Formalised spelling is not really in place at this point. I’ve found various spellings of clothing items in a document written in one go, so yes. It’s very interesting 🙂 )


But then it gets better!!! Willemyne is the first name of two women involved in printing in the same time and place!!!! OMG!!!!


1) Willemyne & Pieter van der Keere


http://archaeologiamediaevalis.be/drupal_e/sites/default/files/pdf/AM_35-2012.pdf


wordt met “smettelicke zieckte” waarschijnlijk de pest bedoeld. De tweede bron is een stadrekening uit 1584 waarin het volgende wordt vermeld: “Betaelt Pieter van den Keere ende Willemyne zyne huysvrouwe, ter causen zy den tyt van omtrent XXVIII maenden ende het, by laste van scepenen, metgaders Adriaan …


https://en.wikipedia.org/wiki/Pieter_van_den_Keere



Pieter van den Keere (Latin: Peter Kaerius 1571 – c. 1646) was a Dutch engraver, publisher and globe maker.


2) Willemyne and Hans Liefrinck


https://rkd.nl/nl/explore/artists/49950


Explore Hans Liefrinck (I) – Rkd


zoon van de houtsnijder en prentenuitgever Willem Liefrinck (1490?-1542), broer van de drukster en prentenkleurster Mynken (Willemyne) Liefrinck (?-1593) en vader van de houtsnijder en kunstverkoper Hans Liefrinck II; gehuwd met Catherina Cordier. Zie ook. in dit veld vindt u verwijzingen naar een groepsnaam of naar …


(translation)


son of the woodcarver and print publisher Willem Liefrinck (1490? -1542), brother of the printer and printmaker Mynken (Willemyne) Liefrinck (? -1593) and father of the woodcarver and art dealer Hans Liefrinck II; married to Catherina Cordier


And she’s mentioned a few times in this book:

https://archive.org/stream/BibliografiaZaragozanaDelSigloXV/Bibliografia_zaragozana_del_siglo_XV#page/n417/mode/2up/search/willemyne

(use of VV for W, but also by her nickname: Mynken:)

https://archive.org/stream/BibliografiaZaragozanaDelSigloXV/Bibliografia_zaragozana_del_siglo_XV#page/n417/mode/2up/search/mynken


 


There seems to be some query as to whether she coloured the prints or was involved in the printing process. It’s very cool because it’s evidence of a woman in the trade itself not as a seller or owner of a business after a partner has passed.


Anyway. This has been a really fun “detour” that came back to my main interest of putting together my own book of clothing patterns. I’m trying to decide between an Album Amicorum (hand drawn and a single copy) or a printed version.


There are pros and cons of each. I might try for a printed version as it could get me practicing multiple skills. I can sketch really well, and in style. It’s converting those soft lines into very hard lines like a print that I am not so great. This may require learning inkscape again.



 


Side note, I also found documents that were a stark reminder of what a turbulent time this was. And how brutal. Not in the region I actively research (probably down to what has made it to modern research) but in Flemish sources. I didn’t go fully into them but there are a number of Willemyne’s listed which makes it feel a little closer to home, even if technically this is where all my ancestors come from. Well the Netherlands and Germany before that. But my ancestors did not travel much even though some at least were involved in trade (though at least one very close ancestor owned a barge.)


I am talking about lists of witches and their punishment. As I said, very hard to read. Hard also as it obviously reminds me of who else went through equal kinds of punishment and who had very few rights in law.


 

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I have a draft post saved about goal post shifting, as someone who has been involved in multiple facets of costume and community I have a few thoughts.


It boils down to: I am an expert in my field. But I can’t rest on what I learned 10 years ago. I have to keep seeking out new information to be so.


I don’t expect people who don’t have the same foundation to be an expert, but I do expect experts to keep pushing in their field. And anyone who aims to be to do the same. Believe me there is no end point in research. Just endpoints in access.


 


I have also heard it’s harder now to achieve that level. I would argue that it really is not. It has always required a bloody minded persistence to follow paths of unsuccessful research and to find new ones.


There is a lot more information yes, but also a whole lot of new tools to sift through that information. There are now OCS scans of documents in scripts I couldn’t make head or tale of before. With these transcripts I can identify words that were not visible to me a decade ago.


 


Those of us held in regard as experts need to share those tools as well.


 


 


So that’s what I’m working on.  Figuring out how to describe what I do instinctively. But usually it’s started by throwing a word in a search engine and seeing what dictionaries have to say and how many peer reviwed articles it appears in 🙂


 


Also slowly working on finishing work on my Cleves projects 🙂 I think I’m getting a handle on the words of mystery based on breaking down how clothing must function based on how they sit in images.


 


And have a new thing to research so, yay!

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Apparently there has been a lot of talk about people in groups like the SCA not wanting to do research. Now I am a research fiend. And I usually talk to people with a very excited bouncy manner so that even if they are not actually interested in my subject they can understand why I am. Because what can you do when reading texts were C/K/G are interchangeable? Or P/B/W on occasion, or ui/oi/oy/uy. So I talk about brute searching in engines with a good dozen variations and the very weird results that come up (punk rock for anyone interested.)


Most of which lead to a nice lot of information about the 14thC in the Netherlands.


Awesome on a totally “let me know All The Things” level, but not helpful right now. And does take up time I’d rather spend on things I know. But I have to learn the things to know them.


But I also know there is more to not wanting to research than simply no interest, or that it’s boring, or too hard.


If there was no interest, then it would not matter being asked, so is it a response to being asked?


 


And today I think I got it.


 


I think I understand the response.


 


Right now there is what looks to be an historical costuming IG trend. It looks to be a year long thing a photo a day for a year? And I am just not interested. I do love that people are being prompted to share. But it feels cliquey- without meaning to be. Because it comes from what people think historical costuming looks like, and it happens to be what a circle of friends do. For for me to join in I’d need to track down images and get them prepped for the IG format. And it would take away time from what I need to do right now which is sew my dress, get my passport (done!), and keep brute searching with more variations of words that are fairly generic and so.. ugh, lots of hours of not finding anything, or the same resources.


So if I imagine that instead I am already doing all 18thC stuff, or had a folder full of inspiration images ready to go, and had zero interest in the Northrhine, and if the IG event was about 16thC German costuming, then I’d feel the same way. A bit annoyed at not being able to join in, except at a much greater cost to me than assumed.


 


Imagine being in the SCA which only asked for an attempt at pre-1600s clothing and really not much else. Imagine landing in the middle of a group purely by geographical luck that has a focus that is not the same as yours. You go online to get a shot of that focus. But people who have a focus the same as yours then winds up repeatedly asking you if you are going to take it more seriously, or to go reads books, or search archives. When all you want to do is the thing the group is advertised as.


 


I know I tend to use facebook messenger as a sort of SMS. Rarely do I expect an immediate response. Just like with an SMS. There is an instant notification of course but not intended to be immediately responded to.


But I’m becoming more aware that lots of people do, and that a lot of people are really stressed by it.


I also know that I’m not the some correspondent with anyone I message. But I do forget that perhaps they may be getting the same question asked privately over and over. And sometimes it’s possible to see, after the fact, that actually they were dealing with the same thing on community and public spaces.


 


(this does tie back in to the original though)


 


 


I never really felt the pressure to do anything. I thought about what it meant to me, and to my community, to be noticed by the laurels and what it probably actually meant. I knew that it wasn’t just my output that was assessed but what impact I had on my local group- but I also hoped that my impact internationally was given as much weight, if not more. I knew there would be aspects to how I respected other members of the society and indeed the ideals of the club.


I was perfectly okay to never be laureled as I knew that I was on my journey. But It was because I wasn’t so invested in the idea, and a lot of that had to do with not having a very long history and thus didn’t have any long term relationships already in that hierarchy to have a view on it.


I think if I did, it might have been pressure i wouldn’t like too.


 


So when I read that people don’t want to do research, that it’s too hard; I don’t think it’s as simple as people not wanting to do research. I think it’s the pressure to do something that takes time and energy that doesn’t give the person the same joy/fulfillment they get elsewhere. Maybe they are also getting that same pressure from multiple fronts, maybe it’s become an annoying question that once would have not been a bother, but now is.


 


I think social media can be tricky in this regard as intent can be clouded by context, so I tend to try and look for more specific clues as to whether someone wants to go down the rabbit hole of research. Following back through my own journey I can see how it would be daunting to be expected to just do all that.

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I have been trying to work out a way to have fancy chemise sleeves as per my Cleves dress and just was getting very lost. Until I remembered that I already have the solution. pins!



This is my c1560s woolen Cologne gown. This is taken pretty much from the de Bruyn Trachtenbuch. So the skirt overlaps at the front to allow it to be worn open or closed. The sleeves are half length with matching hanging sleeves. The sleeves are actually half length and then matching hanging sleeves pinned on.


This is not totally interpretive. Hanging sleeves are listed separately in inventories and it is possible to see the pins in the woodcuts.



(A. de Bruyn, citizens from Cleves.)


Okay so they look more like thumbtacks here, on the far left, but that curvy line is also seen in obviously pinned on fitted sleeves (also found in inventories.)


Note also the watered silk lining on the far left. And what is a likely glossy lining on the far right. Note the turn backs of the sleeves and skirt. And the short sleeves over fitted sleeves. This is a fantastically modular wardrobe,



(A. de Bruyn, citizens of Cologne)


So you can see my wool gown is much more Colone in style but uses the Cleves plate for the pins information. I think other plates show pins used horizontally, which is how I use mine.)


The sleeves for my earlier Cleves dress are probably held on in a similar way. I’m assembling my current cache of images and documents to see if it does have support not just makes sense. It is also helping me figure out how to use my decorative under sleeves as well. No one puts brocade or heavy embroidery on something direct to the skin or part of a washing chemise.


So, very excited, I’ll be able to make more sets of hanging and under sleeves for my earlier dresses which makes them possible to be worn for a week long event.

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